Sans Superellipse Osmiy 5 is a bold, normal width, low contrast, upright, normal x-height, monospaced font visually similar to 'Gravitica Mono' by Ckhans Fonts; 'Mono Spec' by Halbfett; 'Realtime' and 'Realtime Rounded' by Juri Zaech; and 'Decima Mono', 'Decima Mono Cyr', and 'Decima Mono Pro' by TipografiaRamis (names referenced only for comparison).
Keywords: ui labels, signage, packaging, posters, coding, industrial, utilitarian, technical, modern, sturdy, systemlike, labeling, impact, clarity, alignment, geometric, squared, rounded corners, compact, blocky.
This typeface is built from compact, squared-off forms with softened corners, giving rounds a superelliptical, rounded-rectangle feel. Strokes are heavy and even, with minimal modulation and consistent terminal treatment throughout. Counters are relatively tight in letters like B, P, and 8, while open shapes such as C and S keep broad, simplified curves. Lowercase includes single-storey a and g, a short-armed r, and a compact t with a broad, straight crossbar; numerals follow the same sturdy, squared geometry with a clearly open 4 and rounded 0/8 forms.
It suits short-to-medium text where a firm, highly structured texture is desirable, such as interface labels, dashboards, wayfinding, product labeling, and bold editorial callouts. The consistent character widths and blocky geometry also make it a practical choice for tabular content or code-like settings where alignment and rhythm are important.
The overall tone is no-nonsense and workmanlike, evoking labeling, tooling, and system-style typography. Its simplified geometry and firm rhythm feel contemporary and technical rather than expressive or calligraphic.
The font appears intended to deliver a robust, geometric sans voice with a distinctly squared, rounded-corner construction. It prioritizes uniformity and impact, aiming for clear, repeatable shapes that hold up in dense lines and strong display settings.
The design relies on strong horizontal and vertical emphasis, with diagonals (K, V, W, X) kept clean and structural. Punctuation in the sample reads as heavy and square, matching the weight and blunt construction of the letters for a cohesive, engineered texture.