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Free for Commercial Use

Sans Normal Podah 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Latino Gothic' by Latinotype, 'Clearface Gothic' by Linotype, 'Clearface Gothic SB' and 'Clearface Gothic SH' by Scangraphic Digital Type Collection, 'Cleargothic Pro' by SoftMaker, 'Kommon Grotesk' by TypeK, 'Meloche' by Typodermic, and 'Clearface Gothic' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, friendly, retro, playful, chunky, casual, impact, approachability, retro flavor, display emphasis, brand character, rounded, soft corners, bulky, compact, bouncy.


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A heavy, rounded sans with thick, sculpted strokes and gently softened corners. Forms lean on broad curves and slightly irregular, hand-cut-like detailing, producing a lively rhythm rather than strict geometric uniformity. Counters are relatively small and apertures tend to be modest, which increases density and punch. Terminals are mostly blunt and subtly flared, and joins often show mild curvature that keeps the texture warm and approachable.

Best suited for headlines, short copy, and display applications where bold impact and personality are desirable—such as posters, packaging, storefront or event signage, and brand marks. It can work for brief callouts or subheads, but extended small-size text may feel tight due to the heavy weight and compact counters.

The overall tone feels friendly and upbeat, with a vintage, poster-like exuberance. Its chunky shapes and slightly quirky proportions read as informal and inviting, suggesting comfort, fun, and a bit of nostalgic charm rather than precision or austerity.

The design appears intended to deliver strong visual presence with an approachable, rounded voice, combining solid readability at display sizes with a playful, retro-leaning character for branding and promotional typography.

At larger sizes the distinctive shaping and soft, swollen curves become a defining feature, while in tighter settings the dense counters and heavy color can make word shapes feel compact. The numerals share the same robust, rounded construction, keeping the typographic color consistent across text and display uses.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸