Sans Other Yoti 7 is a regular weight, narrow, medium contrast, upright, short x-height font.
Keywords: ui labels, game ui, tech branding, posters, signage, techno, digital, industrial, futuristic, modular, digital aesthetic, grid construction, futuristic display, system signage, monoline, angular, rectilinear, square counters, stencil-like.
A rectilinear, monoline sans built from straight strokes and sharp 90° corners, with frequent open terminals and squared counters. The forms lean on modular geometry: many curves are implied through stepped, angular construction, and several letters read as partial frames rather than fully closed outlines. Stroke endings are often flat and abrupt, producing a clean but slightly mechanical rhythm, with tight apertures and a compact internal spacing in many glyphs. Overall spacing and widths vary by character, giving the texture a deliberately engineered, grid-driven feel rather than classical typographic uniformity.
Best suited to short to medium-length settings where its geometric construction can read clearly—such as interface labels, game UI, sci‑fi or tech-themed branding, posters, and directional or environmental signage. It also works well for headings and logotypes that benefit from a rigid, digital texture.
The font conveys a distinctly digital, techno tone—clinical, schematic, and slightly arcade-like. Its squared shapes and open-frame construction evoke screens, circuit diagrams, and utilitarian labeling, creating a futuristic but pragmatic voice.
The design appears intended to translate a grid-based, electronic or engineered visual language into a readable sans alphabet. By prioritizing straight strokes, squared counters, and open terminals, it aims for a futuristic display voice that stays crisp and utilitarian while remaining distinctive.
Distinctive details include boxy bowls on letters like B/P/R, an angular, segmented feel in diagonals (notably V/W/X), and simplified lowercase forms that emphasize straight stems and squared bowls. Numerals echo the same geometry, with several built as partial rectangles and hard-edged corners, reinforcing the display-oriented, systemized aesthetic.