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Free for Commercial Use

Distressed Nidot 12 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Novel Display' by Atlas Font Foundry and 'Amor Sans Neo' by Storm Type Foundry (names referenced only for comparison).

Keywords: posters, packaging, book covers, labels, headlines, rustic, handmade, vintage, worn, folksy, add texture, evoke vintage, feel handmade, create grit, rough edges, inked, irregular, textured, blunt serifs.


Free for commercial use
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A rough, inked serif with visibly uneven contours and slightly wobbly strokes that mimic worn printing or hand-cut letterforms. Stems are mostly upright and fairly sturdy, with blunt, wedge-like terminals and small, irregular serif treatments that vary from glyph to glyph. Counters tend to be rounded and slightly lumpy, and curves show faceted bumps rather than smooth geometry, creating an overall textured silhouette. Spacing and widths feel loosely normalized but not rigid, giving words a lively, imperfect rhythm in text.

Well-suited to display roles such as posters, book covers, labels, and packaging where a tactile, imperfect print character is desirable. It also works for short bursts of text—taglines, pull quotes, or section headers—when you want a handmade, vintage-leaning voice. For longer reading, it performs best with generous size and spacing so the distressed edges remain clear.

The tone is earthy and analog, evoking aged paper, stamp ink, and old-shop signage. Its roughness reads as approachable and human, with a subtle historical flavor that feels more crafted than mechanical. The texture adds grit and personality without becoming chaotic, lending a casually authentic, lived-in mood.

This font appears designed to capture the look of weathered letterpress or hand-rendered, stamped typography—prioritizing texture, irregularity, and human rhythm over clean precision. The consistent rough treatment across caps, lowercase, and figures suggests an aim for cohesive branding and display typography with an intentionally worn finish.

Uppercase forms carry a sturdy, poster-like presence, while the lowercase keeps the same distressed texture and maintains readability in short passages. Numerals match the same blunt, slightly battered construction, helping headlines and supporting figures feel stylistically consistent. The overall effect benefits from moderate-to-large sizes where the edge texture can be appreciated without collapsing into noise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸