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Free for Commercial Use

Print Fibav 9 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'EquipCondensed' by Hoftype, 'Infoma' by Stawix, 'TT Norms Pro' by TypeType, 'URW Geometric' by URW Type Foundry, 'Oslo' by Wilton Foundry, and 'Elpy' by Wordshape (names referenced only for comparison).

Keywords: posters, packaging, headlines, stickers, brand marks, rugged, handmade, playful, casual, punchy, handmade feel, added texture, display impact, casual voice, rough edges, distressed, inked, chunky, friendly.


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A heavy, rounded print style with low-contrast strokes and soft corners, shaped by slightly uneven, hand-drawn contours. Edges show subtle chipping and wobble that reads like dry ink or a worn stamp, while counters stay open enough to keep forms recognizable at larger sizes. Uppercase proportions feel sturdy and compact; lowercase is similarly solid with simple, single-story forms and a straightforward, unconnected rhythm. Numerals are bold and direct, matching the same roughened perimeter and weighty presence.

Well-suited to bold headlines, posters, packaging, and short-form messaging where texture and personality are assets. It can also work for labels, stickers, social graphics, and casual branding that benefits from a handmade, slightly worn look; for long passages, the heavy weight and distressed edges are likely best reserved for larger sizes.

The overall tone is informal and approachable, with a rugged, DIY texture that adds energy and character. Its friendly roundness keeps it from feeling harsh, while the distressed outline brings a gritty, handmade authenticity that can feel playful or streetwise depending on context.

The design appears intended to deliver a bold, legible print voice while preserving the imperfections of hand-made lettering. Its consistent weight and rounded construction aim for friendliness and clarity, with a distressed finish added to create grit, tactility, and an analog feel.

The distressed effect is consistent across the set, but the irregular perimeter introduces natural variation in silhouette from letter to letter, which is most noticeable on straight strokes and terminals. Spacing feels built for display impact rather than quiet text, with strong black shapes and clear, uncomplicated construction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸