Script Rany 7 is a regular weight, narrow, very high contrast, italic, short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, romantic, classic, refined, flourished, formal script, penmanship, display elegance, decorative capitals, calligraphic, swashy, looped, tapered, slanted.
A formal, calligraphic script with a pronounced rightward slant and strong thick–thin stroke modulation. Letterforms show tapered entry and exit strokes, frequent hairline terminals, and occasional teardrop-like thickened joins. Capitals are ornate and lively with extended curves and subtle swashes, while lowercase shapes stay compact with a relatively low x-height and narrow, upright counters. Spacing and widths vary from letter to letter, creating a handwritten rhythm; connections appear in running text, though many joins are light and reliant on thin linking strokes. Numerals follow the same flowing, pen-drawn construction with angled stress and delicate finishing flicks.
Best suited to wedding suites, event stationery, beauty or boutique branding, premium packaging, and short headlines where its hairlines and swashes have room to show. It also works well for pull quotes or product names when set with generous size and spacing, and paired with a restrained serif or sans for body copy.
The overall tone is polished and expressive, suggesting traditional penmanship and celebratory formality. Its contrast and flourishes add a sense of luxury and romance, while the narrow, quick rhythm keeps it feeling nimble rather than heavy.
Designed to emulate elegant pointed-pen lettering with a graceful, slanted flow and decorative capitals. The intention appears to balance legibility in mixed-case words with enough flourish to feel formal and special for display-oriented typography.
Hairline links and terminals are a defining feature, giving words a sparkling texture at larger sizes but making fine details more fragile at small sizes or low-resolution reproduction. Capital letters carry much of the personality and can become dominant in mixed-case settings, especially at the beginnings of lines.