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Free for Commercial Use

Sans Superellipse Utgum 11 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Clonoid' by Dharma Type (names referenced only for comparison).

Keywords: headlines, logotypes, sports branding, packaging, posters, techno, futuristic, sporty, industrial, confident, modern display, tech branding, impactful titles, geometric identity, sport emphasis, rounded corners, squared rounds, blocky, geometric, compact counters.


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A heavy, geometric sans with rounded-rectangle construction and consistently softened corners. Curves resolve into squared rounds rather than true circles, giving bowls and counters a superelliptical feel, while terminals are mostly flat and clean. The overall footprint is broad and stable, with wide capitals and sturdy lowercase; counters are relatively tight in letters like a, e, and s, emphasizing a dense, sign-like color. Diagonals in forms such as V, W, X, and Y are crisp and straight, and the numerals follow the same streamlined, squared-curve logic for a cohesive set.

It is well suited to headlines, brand marks, and product naming where a strong, modern voice is needed. The dense stroke color and squared-rounded forms make it a natural fit for sports branding, tech packaging, and poster-style typography, especially in large sizes or high-contrast layouts.

The typeface projects a modern, engineered tone—slick and purposeful with a distinctly tech-forward edge. Its broad stance and rounded geometry suggest speed and machinery without feeling sharp or aggressive, making it read as confident and contemporary.

The design appears intended to deliver a contemporary geometric look built from rounded rectangles—combining robustness with a smooth, manufactured finish. It aims to read instantly and feel modern, with a distinctive superelliptical signature that remains consistent across letters and figures.

The rounded-square logic is especially evident in O/Q-style shapes and in the way corners on E/F/L and similar forms are softened uniformly. The overall rhythm favors continuous, solid strokes and compact internal spaces, which helps it hold together well at display sizes and in short, punchy messages.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸