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Free for Commercial Use

Stencil Ryma 1 is a very light, wide, high contrast, upright, normal x-height font.

Keywords: headlines, editorial, magazine, branding, posters, luxury, fashion, theatrical, refined, statement, art direction, modernize classic, distinctive branding, dramatic contrast, hairline, stencil bridges, flared, calligraphic, display.


Free for commercial use
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A hairline, high-contrast serif with pronounced stroke modulation and crisp, razor-thin thins. The design uses deliberate breaks that read as stencil bridges, often placed at joins and terminals, creating a segmented, cut-out feel without losing the underlying letter skeleton. Capitals are elegant and slightly expansive with sharp wedge-like serifs and curved strokes that taper to needle points, while lowercase keeps a classic, text-inspired structure with a modest x-height and delicate entry/exit strokes. Spacing appears on the open side, and the rhythm is airy; details are precise and brittle, favoring large sizes where the micro-bridges and thin connections remain clear.

Best suited to display typography such as magazine headlines, fashion and beauty branding, title treatments, and large-format posters where the hairline contrast and stencil bridges can be appreciated. It can also work for short pull quotes or luxury packaging accents when set with generous tracking and ample size.

The overall tone is polished and dramatic, balancing couture refinement with a crafted, cut-paper edge. The stencil interruptions add a subtle sense of intrigue and art direction, giving the face a bespoke, runway/editorial character rather than a utilitarian industrial one.

The design appears intended to merge classic Didone-like elegance with a contemporary stencil intervention, producing a premium display face that feels crafted and art-directed. The careful placement of bridges suggests a focus on visual identity and high-impact typography rather than extended reading.

The most distinctive feature is the consistent use of small voids within strokes—especially noticeable in curved forms and at terminals—creating a repeatable visual motif across letters and numerals. Numerals and round letters emphasize sculpted bowls and sharp internal tapering, producing a striking sparkle in headlines but a fragile texture in dense settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸