Sans Superellipse Arral 9 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: ui labeling, branding, tech editorial, signage, packaging, minimal, futuristic, technical, clean, calm, geometric clarity, modernization, systematic design, soft precision, geometric, rounded, monoline, open counters, soft corners.
A monoline sans with squared, superellipse-like curves and gently rounded corners throughout. Strokes are extremely even and fine, producing a crisp, delicate texture with generous interior space. Round letters (O, Q, C, G, e, o) read as rounded rectangles rather than perfect circles, while straight-sided forms (E, F, H, I, L, T) stay rigid and clean. Terminals are consistently blunt and smooth, and diagonals (A, V, W, X, Y) are sharp but restrained, keeping the overall rhythm orderly and measured. Numerals follow the same rounded-rect geometry, with simplified, open shapes that feel schematic and contemporary.
This font suits interface labeling, dashboards, and product environments where a clean, contemporary geometry is desirable. It also works well for tech-forward branding, headings, posters, and packaging that benefit from a minimalist, precise tone. Because of its very fine strokes, it is especially effective at larger sizes where its superellipse construction and spacious counters are clearly visible.
The overall tone is cool and modern, with a light, airy presence that suggests technology, interfaces, and precision design. Its rounded-rect forms soften the engineering feel, giving it a friendly, controlled futurism rather than an aggressive or industrial voice.
The design appears intended to merge geometric clarity with softened, rounded-rectangle curves, creating a modern sans that feels systematic and contemporary. Its consistent stroke and corner logic suggest an emphasis on modularity and a sleek, futuristic visual identity.
The design emphasizes consistency of corner radius and stroke thickness, creating a cohesive system across capitals, lowercase, and figures. Curved joins and open apertures keep forms from feeling cramped at larger display sizes, while the extremely thin strokes make the type feel refined and understated.