Sans Superellipse Iblir 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, 'Palo' by TypeUnion, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, industrial, friendly, punchy, retro, impact, clarity, approachability, modernity, rounded, blocky, compact, soft corners, high impact.
A heavy, rounded sans with broad, superellipse-like curves and flat, squared terminals. Counters are generous and simplified, and the overall construction favors sturdy geometry over calligraphic modulation. Curved letters like C, G, O, and S read as softened rectangles, while straight-sided forms (E, F, H, N) stay rigid and blocky. The lowercase uses single-storey a and g with compact bowls, a short-armed r, and a sturdy, slab-like t, keeping the texture dense and even in text.
This font works best for headlines, short bursts of copy, and display settings where strong presence is needed—such as branding, packaging, storefront/signage, and promotional graphics. It can also serve as a bold supporting sans for UI callouts or labels when used at larger sizes with comfortable spacing.
The tone is bold and assertive while remaining approachable due to consistently softened corners and rounded bowls. It suggests a utilitarian, poster-forward voice with a slightly retro, sign-painting or sports-headline energy.
The design appears aimed at delivering maximum impact with a clean, modern construction softened by rounded-rectangle curves. It prioritizes strong silhouettes and a compact, energetic texture for attention-grabbing typography in contemporary and retro-leaning visual systems.
Spacing and proportions feel intentionally compact, creating a dark, cohesive typographic color. Numerals are wide and weighty with clear silhouettes suited to large sizes, and the overall rhythm is more geometric than humanist, emphasizing solidity and quick recognition.