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Sans Normal Pirib 1 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Siro' by Dharma Type; 'Binate' by Monotype; 'Ambulatoria' by Pepper Type; 'Amfibia' by ROHH; and 'Amsi Grotesk', 'Amsi Pro', 'Amsi Pro AKS', and 'Brock Pro' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, sporty, punchy, friendly, energetic, retro, impact, approachability, motion, display strength, rounded, soft corners, chunky, compact apertures, ink-trap-like.


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A heavy, right-leaning sans with broad, rounded forms and softened corners throughout. Strokes are thick and largely uniform, with curved joins and subtly squarish terminals that keep the shapes sturdy and graphic. Counters tend to be compact (notably in letters like B, P, and e), while round characters (O, Q, 0) read as wide ovals with smooth, consistent curvature. The overall rhythm is tight and dense, with a slightly bouncy baseline feel and small notch-like cut-ins at some joins that add texture without introducing sharp contrast.

Best suited to display roles where impact and immediacy matter, such as headlines, posters, brand marks, packaging panels, and event graphics. It also fits sports-leaning or youth-oriented visual systems where a sense of motion and friendliness is desirable. In longer text, its dense counters and strong weight suggest using generous size and spacing for clarity.

The font projects a bold, upbeat personality with a sporty, headline-forward tone. Its rounded geometry and thick silhouettes feel approachable and playful, while the slant adds momentum and a sense of motion. The result is energetic and attention-grabbing rather than formal or understated.

The design appears intended to deliver maximum visual punch with a warm, rounded construction and a forward-leaning, energetic stance. It prioritizes bold silhouettes and consistent stroke mass to stay readable and emphatic in large-scale applications, while small cut-ins and softened terminals add character and prevent the forms from feeling overly rigid.

Uppercase forms feel especially blocky and stable, while lowercase shows more idiosyncratic, single-storey shapes and compact interior spaces that emphasize weight. Numerals follow the same chunky, rounded construction and maintain strong presence at display sizes. The slant is consistent across letters and figures, helping mixed-case settings feel cohesive and dynamic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸