Sans Superellipse Rymal 1 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, posters, signage, branding, packaging, retro, industrial, technical, authoritative, stylized, display impact, industrial flavor, geometric coherence, signage clarity, squared, rounded, condensed caps, stencil-like, geometric.
A stylized sans with tall, condensed uppercase proportions and rounded-rectangle (superelliptic) curves throughout. Strokes appear monolinear at first glance but show deliberate shaping and subtle contrast in joins and terminals, with many endings cut square and slightly softened. Counters are narrow and vertically oriented, and several letters feature split or bridged constructions that read as stencil-like cut-ins (notably in forms such as A, O, and some lowercase bowls). The overall rhythm is vertical and even, with compact apertures and a consistent rounded-corner geometry across letters and numerals.
Best suited to display settings such as headlines, posters, logos, packaging, and wayfinding where its distinctive bridged shapes and condensed caps can carry the design. In longer passages it remains readable at larger sizes, but the tight apertures and stylized joins make it most effective when given space and scale.
The face projects a retro-industrial tone that feels both engineered and decorative. Its squared, softened shapes and bridged details suggest signage, machinery labeling, or mid‑century display typography, lending an assertive, slightly futuristic voice without becoming playful.
The design appears intended to merge geometric, rounded-rectangle construction with a stencil-inspired, industrial sensibility. It aims to deliver a recognizable silhouette and a uniform, engineered texture that holds up well in bold display compositions.
Uppercase and lowercase are clearly differentiated, but the lowercase inherits the same condensed, rounded-rect framework, producing a cohesive texture in longer lines. Numerals are sturdy and open enough for display use, with the same squared curves and crisp terminal treatment as the letters.