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Serif Normal Midol 3 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Editor Condensed' by Indian Type Foundry and 'Apud', 'Mafra Condensed', and 'Mafra Deck Condensed' by Monotype (names referenced only for comparison).

Keywords: book text, magazines, newspapers, headlines, academic, formal, authoritative, classic, editorial, traditional, text setting, editorial tone, classic authority, print tradition, bracketed, sharp serifs, sturdy, crisp, oldstyle figures.


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A sturdy serif with pronounced thick–thin modulation and crisp, bracketed wedge serifs. Capitals are wide and stately with sharp terminals and clear, open counters, while the lowercase shows a traditional book-face rhythm with moderate ascenders and descenders and a compact, slightly calligraphic feel in curves like a, g, and e. Stroke joins are firm and angular in places (notably on diagonals and arms), and spacing reads even and text-forward, producing a dark, confident color in paragraphs. Numerals appear oldstyle with varied heights and extenders, matching the text texture rather than forming a uniform lining set.

Well-suited to editorial typography such as books, magazines, and newspaper-style layouts where a firm, traditional serif texture is desired. It can also serve confidently in headings, pull quotes, and institutional materials that benefit from a classic, authoritative tone.

The overall tone is classic and serious, with an editorial gravitas that feels suited to established institutions and long-form reading. Its high-contrast structure and sharp serifs convey confidence and tradition without looking ornamental.

The font appears designed as a conventional text serif aimed at producing a strong, readable page color with a traditional, print-oriented personality. Its pronounced contrast, bracketed serifs, and oldstyle numerals suggest an intent to blend classic literary proportions with confident headline presence when set large.

The design maintains a consistent vertical stress and a strong baseline presence, with clear differentiation between similar forms (e.g., I vs. J, O vs. Q). The ampersand and punctuation shown in the sample text inherit the same sharp, formal detailing, keeping the typographic voice coherent across mixed content.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸