Slab Square Utnu 7 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, headlines, posters, branding, signage, technical, futuristic, minimal, modular, clinical, systematic, modernize, digitize, signal clarity, add character, rounded corners, square bowls, open apertures, high contrast corners, geometric.
A very light, monoline design built from squared-off forms softened by rounded corners. Strokes keep an even thickness, with flat terminals and small slab-like feet or bracketless serifs appearing on several letters, giving the outlines a structured, engineered feel. Counters tend to be rectangular with generous internal space, and curves are typically expressed as rounded-rectangle arcs rather than true circles. The lowercase shows a single-storey a and g, a narrow r with a short arm, and a t with a compact crossbar; overall spacing reads open and orderly, supporting clean text rhythm at larger sizes.
Best suited to display typography where its thin monoline strokes and modular geometry can stay crisp—headlines, short paragraphs, UI labels, packaging, and wayfinding-style applications. It can also work for tech or design branding systems that need a clean, constructed texture, especially when set with ample size and leading.
The font conveys a precise, technical tone—part sci‑fi interface, part modernist signage. Its squared geometry and restrained detailing feel systematic and utilitarian, while the rounded corners keep it from feeling harsh. The result is a cool, contemporary voice suited to controlled, design-forward layouts.
The design appears intended to merge slab-influenced structure with a square, rounded-rectangle construction, producing a lightweight face that feels engineered and contemporary. It prioritizes consistent stroke logic and repeatable modules across letters and numerals, aiming for a distinctive, system-like identity in titles and interface-style text.
Distinctive identifiers include the rounded-rectangle O/0 forms, the Q with a vertical tail descending below the baseline, and angular diagonals in V/W/X that contrast with the softened corners elsewhere. Numerals follow the same modular logic, with squared bowls and open shapes that read clearly in display settings.