Cursive Esroj 2 is a light, very narrow, medium contrast, italic, very short x-height font.
Keywords: branding, logotypes, headlines, packaging, invitations, elegant, airy, lyrical, intimate, fashionable, signature feel, modern elegance, personal tone, expressive display, stylish branding, monoline, calligraphic, slanted, fluid, looping.
A slim, right-slanted handwritten script with long ascenders and descenders and a noticeably small lowercase body. Strokes are predominantly fine and pen-like with subtle thick–thin modulation, forming narrow, elongated lettershapes and a lively baseline rhythm. Capitals are tall and gestural with open loops and sweeping entry/exit strokes, while the lowercase shows frequent partial connections and quick joins that keep words flowing without becoming overly uniform. Counters are generally open, terminals tend to taper, and several letters use extended cross-strokes and finishing flicks that add momentum and a sketch-like spontaneity.
This font suits branding elements, boutique logotypes, fashion and beauty headlines, and packaging where a personal signature feel is desired. It also works well for invitations, quotes, and short overlay text on imagery, especially at larger sizes where the thin strokes and narrow proportions can breathe.
The overall tone is refined and personal—more like quick, stylish handwriting than formal copperplate. Its narrow, elongated rhythm and delicate strokes convey grace and lightness, with a slightly dramatic flair from the tall capitals and sweeping loops. The texture feels modern and fashion-forward while still warm and human.
The design appears intended to capture a fast, stylish signature script: tall, narrow forms, delicate pen strokes, and energetic loops that prioritize elegance and personality over strict regularity. It aims to provide a graceful handwritten voice that remains cohesive across uppercase, lowercase, and numerals for expressive display settings.
The alphabet shows consistent slant and spacing with intentionally varied stroke lengths, giving lines a dynamic, handwritten cadence. Numerals follow the same airy, cursive sensibility with simple, lightly drawn forms that suit display use better than dense data settings.