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Outline Mime 4 is a very light, very wide, low contrast, upright, normal x-height font.

Keywords: headlines, logos, posters, sports branding, tech ui, techy, retro, sporty, futuristic, clean, display impact, retro futurism, technical clarity, branding, rounded corners, inline counters, monoline outline, squared forms, geometric.


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A monoline outline face built from broad, squarish forms with softened, rounded corners. The construction is geometric and largely orthogonal, with simple joins and consistent stroke spacing that reads like a single continuous contour around each glyph. Counters are generously open and often echoed by a secondary inner line, giving many letters a subtle inline feel. Curves are kept tight and controlled (notably in C, G, O, S), while diagonals in A, K, V, W, X, and Y are crisp and slightly chamfered, producing a sturdy, engineered silhouette.

Best suited to headlines, posters, and logo lockups where an outline style can take advantage of scale and negative space. It also fits sports and motorsport-style branding, gaming or tech-themed graphics, and UI/overlay treatments where a crisp, schematic look is desirable. For longer text, it works most comfortably as short bursts or emphasized display lines.

The overall tone is modern and technical with a clear nod to retro display lettering. Its outlined, slightly “instrument-panel” look suggests speed, machinery, and digital interfaces, while the rounded corners keep it approachable rather than harsh. The rhythm feels bold in presence despite the light drawing, making it attention-grabbing without feeling heavy.

The design appears intended to deliver a streamlined outline display aesthetic that feels both futuristic and retro-industrial. The wide proportions, squared geometry, and rounded corners prioritize bold, readable silhouettes while the hollow construction adds a lightweight, graphic edge for impactful titling.

Round-heavy glyphs like 0, 8, and 9 keep a stable, rectangular footprint that reinforces the wide, display-oriented stance. The lowercase set stays simple and utilitarian, with single-storey forms and minimal detailing to preserve clarity in outline-only rendering. Spacing appears designed for headlines, where the consistent contour thickness and open interiors maintain legibility.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸