Sans Normal Jenut 18 is a bold, very wide, low contrast, italic, normal x-height font visually similar to 'MN Grissee' and 'MN Grissee Pro' by Mantra Naga Studio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, display ui, sporty, retro, energetic, assertive, technical, impact, speed, headline focus, brand presence, oblique, slanted, geometric, blunt, compact counters.
A heavy, slanted sans with broad proportions and a streamlined, geometric construction. Strokes are consistently thick with minimal modulation, and curves are drawn as firm ellipses with crisp joins. Terminals are mostly blunt and squared-off, giving letters a machined, cut-from-solid feel. Counters run compact in rounded letters, while diagonals in forms like A, K, V, W, and X create a fast, forward-leaning rhythm. Numerals follow the same robust, rounded-rectangle logic, with clear, stable silhouettes and a strong baseline presence.
This font is best suited to large sizes where its heavy strokes, wide forms, and slanted momentum can read clearly and project impact. It works well for sports and motorsport branding, posters, promotional graphics, packaging, and bold interface headers where a dynamic, high-energy voice is needed.
The overall tone is fast and forceful, reading as athletic and slightly retro. Its wide stance and oblique angle suggest motion and urgency, while the thick, clean shapes keep it confident and utilitarian rather than decorative. The result feels at home in performance-oriented, attention-grabbing settings.
The design appears intended to deliver maximum impact with a sense of speed: wide, geometric letterforms paired with an oblique stance and blunt terminals to keep shapes solid and reproducible. It prioritizes strong silhouettes and a cohesive forward-leaning texture for display typography.
Round letters like O and Q are notably oval, and the Q uses a simple, integrated tail that stays within the bold silhouette. Lowercase is built with single-storey a and g and maintains the same broad, compact-counter look as the capitals. The spacing in the samples appears geared toward headline density, with strong word shapes and a pronounced slanted texture across lines.