Sans Superellipse Abbat 5 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Mute Arabic Variable' by Indian Type Foundry, 'Tahoma' by Microsoft Corporation, and 'Eldwin' by The Northern Block (names referenced only for comparison).
Keywords: ui design, product design, branding, signage, presentations, clean, modern, neutral, friendly, technical, clarity, modernization, geometric signature, versatility, systematic consistency, monoline, rounded, geometric, open apertures, crisp terminals.
A clean monoline sans with softly squared, superelliptical curves and consistent stroke weight. Rounds (O, C, G, o, e) read as rounded rectangles rather than pure circles, giving the face a gently engineered geometry. Terminals are mostly straight and crisp, with simple, unbracketed joins and a steady rhythm; counters are generous and apertures stay open for clarity in text. Lowercase forms are straightforward and contemporary, with a single-storey a and g, short-armed r, and a compact, readable e. Numerals are clear and modern, with a simple 1 and an open, evenly proportioned 0.
Well-suited to interface typography, dashboards, and product branding where a neutral, contemporary sans with rounded-rect geometry helps maintain a polished look. The open counters and steady proportions support comfortable reading in short paragraphs, while the clean caps and numerals work well for signage, labels, and presentation graphics.
The overall tone is modern and restrained, balancing friendliness from the rounded geometry with a practical, utilitarian feel. It reads as calm and straightforward rather than expressive, supporting a contemporary, product-oriented voice.
Likely designed to provide a versatile, modern workhorse sans with a distinctive superelliptical skeleton—adding a subtle geometric signature while staying unobtrusive in everyday text and functional applications.
The superelliptical construction is especially evident in the O/Q family and in the rounded bowls of b/d/p/q, which keep corners subtly softened without appearing bubbly. Diagonals in V/W/X/Y are clean and stable, and the caps maintain a tidy, consistent silhouette suitable for both headings and UI-sized settings.