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Solid Ledi 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'FF Extra' by FontFont (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, apparel, playful, retro, chunky, toylike, graphic, impact, novelty, branding, retro display, silhouette-led, rounded corners, soft geometry, stencil cuts, inky, blobby.


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A heavy, rounded, block-based display design built from soft rectangular masses with generously curved corners and mostly monolinear stroke logic. Many counters are reduced or fully collapsed, turning letters into near-solid silhouettes punctuated by small notches, slits, and occasional cut-ins that hint at traditional forms. Terminals are blunt and geometry is intentionally simplified, producing a compact, squat rhythm with strong color on the page. The overall texture reads as dense and poster-ready, with subtle irregularities and occasional internal cuts that create a slightly distressed or stenciled feel.

Best suited to large-scale display settings such as posters, headlines, logotypes, packaging, and merchandise where its dense silhouettes and rounded blocks can read cleanly. It can also work for short, high-impact captions or signage, especially in playful or retro-themed layouts, but is less appropriate for long text passages or small UI labels.

The font projects a playful, retro-graphic tone—more toy and poster than editorial. Its near-solid shapes feel bold and assertive, while the rounded corners keep it friendly rather than aggressive. The collapsed interiors and cut notches add a quirky, novelty character that can feel game-like or mid-century signage-inspired.

The design appears intended to maximize visual impact through near-solid letterforms, using rounded geometry and minimal counters to create a distinctive, icon-like texture. The small cut-ins act as cues for recognition while preserving a strong, continuous black shape for bold branding and statement typography.

Because many interior openings are minimized, differentiation between similar glyphs relies on exterior silhouettes and small internal cuts, which increases the font’s personality but can reduce clarity at smaller sizes. It performs best when given room to breathe and when tracking/leading are adjusted to prevent the dark shapes from visually merging.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸