Print Ugmaj 3 is a regular weight, narrow, high contrast, upright, normal x-height font.
Keywords: headlines, posters, book covers, packaging, greeting cards, playful, whimsical, friendly, hand-drawn, storybook, handmade feel, casual tone, quirky display, friendly branding, tall, condensed, wiry, quirky, bouncy.
A tall, condensed handwritten print with slender strokes and pronounced contrast between thickened verticals and finer connecting curves. Letterforms are largely upright with a gently irregular rhythm, showing small variations in stroke width, curvature, and terminal shapes that reinforce a drawn-on-paper feel. Counters are relatively open for the narrow proportions, and many terminals end in soft hooks or tapered finishes rather than sharp serifs. Lowercase forms lean toward simplified, single-storey constructions, and the numerals follow the same narrow, lightly uneven proportions for a cohesive set.
Works well for short to medium-length copy where personality is desirable: headlines, pull quotes, posters, invitations, packaging callouts, and children’s or whimsical book covers. It can also suit branding elements that aim for a handmade, approachable voice, especially at display sizes where the contrast and narrow proportions read clearly.
The overall tone is warm and approachable, with a quirky, slightly theatrical charm. Its thin, wiry strokes and subtle wobble feel human and informal, suggesting casual notes, handmade signage, and lighthearted editorial voice rather than strict typographic neutrality.
The design appears intended to capture an informal, hand-lettered print style with tall, narrow proportions and a lively stroke contrast. Its controlled irregularities and soft terminals suggest a deliberate balance between legibility and playful character, aimed at adding a human touch without switching to connected script.
The font’s condensed geometry produces strong vertical emphasis, while the high-contrast stroke behavior keeps the texture lively in text. Spacing appears a bit elastic from letter to letter, which adds character but can make long paragraphs feel more animated than quiet. The mixed treatment of terminals—some rounded, some more tapered—adds to the sketch-like personality.