Sans Superellipse Omnag 1 is a regular weight, narrow, monoline, upright, normal x-height font visually similar to 'Decomputer' by DMTR.ORG and 'Sicret' and 'Sicret Mono' by Mans Greback (names referenced only for comparison).
Keywords: headlines, posters, branding, logotypes, packaging, modernist, techy, friendly, minimal, retro-futurist, systematic design, display clarity, brand distinctiveness, geometric cohesion, rounded, geometric, soft corners, compact, industrial.
A compact, rounded sans with a monoline feel and softly squared curves throughout. Terminals are blunt and clean, with corners consistently filleted to create a superellipse-like geometry rather than true circles. Counters are tight and vertical strokes read sturdy, while joins and bowls keep a smooth, uniform rhythm. Distinctive details include squared-off rounding on letters like C/G/S, an arched, doorway-style construction in forms like n/m, and simplified, blocky numerals that match the overall modular logic.
This font is well suited to headlines, display typography, and brand marks where a compact, rounded-geometric voice is desirable. It can work effectively in packaging, posters, and product/tech branding, and it also reads clearly in short UI labels or navigation where a distinctive but tidy texture is helpful. For extended body text, it will be most comfortable at generous sizes and spacing where the tight counters can breathe.
The overall tone is modern and pragmatic with a playful, retro-futurist edge. Its rounded-rectangle anatomy feels technical and system-oriented, yet the softened corners keep it approachable rather than severe. The result suggests contemporary UI and product design aesthetics with a subtle industrial signage flavor.
The design appears intended to deliver a clean, contemporary sans with a consistent rounded-rectangle construction and a slightly condensed footprint. Its simplified shapes and uniform corner treatment prioritize a strong, repeatable visual system that feels both functional and characterful. The letterforms aim for recognizability through geometric logic rather than calligraphic contrast.
The glyph set emphasizes consistency of corner radius and stroke endings, giving text a coherent, engineered texture. Curved characters lean toward squared curves, which increases visual uniformity and helps maintain a steady color in headings and short lines. The ampersand and numerals follow the same simplified geometry, reinforcing the font’s modular identity.