Sans Faceted Idrub 2 is a very light, wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, branding, tech titles, futuristic, technical, geometric, sci‑fi, architectural, sci‑fi styling, geometric system, schematic look, brand distinctiveness, display impact, angular, faceted, monoline, wireframe, modular.
A sharply geometric display sans built from straight segments and planar angles in place of curves. Strokes are extremely thin and feel like a single-line construction, with occasional heavier verticals acting as accents in a few glyphs. Many counters are suggested by open shapes or polygonal loops rather than fully closed bowls, producing a schematic, wireframe rhythm. Terminals are abrupt and unbracketed, and joins are crisp, giving the alphabet a faceted, drafted quality across caps, lowercase, and figures.
Best suited to display sizes where the fine construction and faceted bowls can be appreciated—titles, posters, identity marks, and short UI or game/interface headings. It works particularly well when paired with minimal layouts and high contrast backgrounds, but is less appropriate for dense body copy due to its ultra-thin strokes and schematic forms.
The overall tone reads futuristic and technical, like lettering plotted from vectors or cut from folded planes. Its skeletal construction and angular bowls suggest sci‑fi interfaces, circuitry diagrams, or architectural signage rather than everyday text. The occasional bold strokes add a slightly glitchy, industrial edge.
The letterforms appear designed to translate a sans skeleton into a faceted, polygon-driven system, prioritizing a distinctive geometric voice over conventional readability. The consistent use of straight segments and open counters suggests an intention to evoke plotted/drafted lettering and a contemporary sci‑fi aesthetic.
The design leans on repeated polygon motifs (notably hexagon-like bowls) that unify characters such as C/G/O/Q and several numerals, while the open apertures and simplified diagonals keep the texture airy. In the sample text, long lines look delicate and graphic, with emphasis created more by shape than by stroke mass.