Print Ilsu 5 is a regular weight, normal width, high contrast, reverse italic, normal x-height font.
Keywords: headlines, posters, book covers, branding, packaging, medieval, storybook, gothic, rustic, dramatic, old-world flavor, expressive display, handmade texture, fantasy tone, dramatic emphasis, brushy, angular, spiky, calligraphic, textured.
A lively, hand-drawn display face with sharp, wedge-like terminals and visibly varied stroke behavior. Letterforms lean subtly against the expected direction, creating a distinctive back-tilted rhythm, while high-contrast strokes and tapering joins suggest a brush or pen held at a changing angle. Proportions and widths are intentionally irregular, with narrow, pinched counters in some letters and broader, more open shapes in others, producing an animated, slightly unruly texture. Capitals are particularly stylized and angular, while lowercase maintains a similar bite and taper, staying unconnected but consistently calligraphic.
Best suited to short to mid-length display settings where its angular, calligraphic texture can be appreciated—headlines, poster titles, book covers, game or fantasy-themed branding, and decorative packaging. It can work for short paragraphs in larger sizes, but its high contrast and spiky detailing will be most effective when given enough size and whitespace.
The overall tone feels medieval and story-driven, with a gothic-tinged, handcrafted energy. Its sharp cuts and uneven rhythm read as dramatic and a bit mischievous, evoking fantasy, folklore, and old-world signage rather than modern neutrality.
The design appears intended to deliver a handcrafted, old-world display voice: dramatic, slightly gothic, and intentionally irregular, prioritizing personality and narrative atmosphere over typographic neutrality.
The face creates strong dark patches in text due to pointed terminals and compressed counters, giving it a punchy, textured color on the line. Distinctive shapes in letters like E, G, R, and S emphasize character over uniformity, so spacing and word shapes feel expressive rather than strictly regular.