Sans Superellipse Akpu 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Logik' by Monotype (names referenced only for comparison).
Keywords: ui labels, product branding, headlines, signage, posters, techy, industrial, futuristic, utilitarian, clean, systematize geometry, signal technology, maximize clarity, brand distinctiveness, rounded-rect, squared curves, monoline, closed apertures, compact.
A geometric sans built from rounded-rectangle and superellipse-like forms, with monoline strokes and squared-off curves. Corners are consistently radiused, producing boxy rounds in letters like O, C, and D, while straight stems and flat terminals keep the texture crisp. The capitals feel wide and stable, and the lowercase follows the same modular logic with compact bowls and mostly closed apertures; punctuation and numerals keep the same chamfered/rounded-corner construction for a uniform, engineered rhythm.
Works well for interface labels, dashboards, and product surfaces where a crisp, engineered voice is desired. The strong geometric construction also suits branding, packaging, posters, and wayfinding-style headlines, particularly in short to medium text where its compact apertures and squared rounding become part of the visual identity.
The overall tone reads modern and technical, with a slightly sci‑fi, interface-driven character. Its squared rounding and restrained detailing give it an industrial, instrument-panel confidence rather than a friendly or humanist warmth.
The design appears intended to translate a modular, rounded-rectangle geometry into a practical sans for contemporary digital and industrial contexts. By keeping stroke contrast minimal and repeating a consistent corner radius throughout, it aims for a cohesive, system-like look that stays clear while signaling a tech-forward aesthetic.
Distinctive rounded-rect counters and tight apertures create a dense, controlled color in text, especially in mixed case. The numerals and uppercase have a signage-like clarity, and the repeated corner treatment across the set reinforces a strong systemized identity.