Solid Otba 2 is a very bold, narrow, low contrast, reverse italic, tall x-height font visually similar to 'Bratsy Script' by Figuree Studio and 'New Roshelyn Script' by Get Studio (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, stickers, playful, goofy, chunky, cartoon, handmade, impact, humor, silhouette, character, blobby, irregular, lumpy, soft-edged, wonky.
A chunky, irregular display face built from dense, blobby silhouettes with interior counters largely collapsed into solid shapes. Forms lean with a backward slant and show uneven sidebearings and widths, creating a lively, wobbling rhythm across words. Curves are overinflated and often end in abrupt, faceted cuts, giving edges a slightly notched, hand-carved feel despite the overall softness. The texture is heavy and continuous, with tight apertures and simplified joins that prioritize mass and shape over conventional letter detail.
Best suited for short, bold messages where personality matters more than readability—posters, headlines, event graphics, playful branding, packaging, and sticker-style merch. It performs well when set large with generous tracking or ample negative space around the wordmark, and it can be effective as a graphic texture or silhouette-driven logo type.
The overall tone is playful and mischievous, with a cartoonish, almost cutout-like presence. Its lumpy geometry and exaggerated weight read as friendly and informal, suggesting humor, spontaneity, and a deliberately imperfect handmade energy.
The design appears intended to deliver maximum visual impact through solid, simplified letterforms and an intentionally irregular, hand-shaped rhythm. By collapsing counters and exaggerating rounded mass with occasional chiseled edges, it aims for a quirky, cartoon-forward display voice that reads as intentionally rough and fun.
In running text, letters frequently merge visually because of the solid interiors and crowded shapes, so separation relies heavily on spacing and size. The backward slant and uneven widths add motion and character, but they also make fine distinctions between similar shapes depend on context.