Print Ilku 1 is a regular weight, narrow, medium contrast, upright, short x-height font.
Keywords: posters, packaging, greeting cards, children’s content, social graphics, casual, friendly, playful, handmade, approachable, handmade feel, casual readability, friendly tone, informal branding, rounded, slightly uneven, soft terminals, open counters, lightly wobbly.
A casual, hand-drawn print face with slightly irregular stroke flow and gently rounded corners. Letterforms are mostly upright with a narrow overall footprint and modest width variation from glyph to glyph, giving a natural handwritten rhythm. Strokes show medium contrast with subtle thick–thin shifts and occasional tapering, while curves are smooth but not mechanically perfect. Counters are generally open and simple, and spacing feels lively rather than strictly uniform, helping the font read as authentically drawn.
Well-suited for short-to-medium text in informal contexts such as posters, packaging callouts, greeting cards, classroom or children’s materials, and social media graphics. It can also work for friendly branding elements (taglines, headers, labels) where a human touch is desired and strict typographic neutrality is not.
The font conveys an easygoing, friendly tone—informal and human without becoming overly messy. Its soft, slightly wobbly shapes suggest a playful, personable voice suited to casual communication and craft-like presentation. The overall impression is warm and approachable, with a hint of quirky charm.
The design appears intended to emulate neat, hand-printed lettering: legible and structured, but with enough irregularity to feel personal and crafted. It prioritizes warmth and character over precision, aiming for an everyday handwritten look that remains clear in typical display and headline use.
Capitals and lowercase share a consistent hand-rendered logic, with simplified constructions and minimal ornamentation. Numerals follow the same drawn character, maintaining readability while preserving the uneven, handmade texture. The texture comes more from stroke irregularity and rhythm than from heavy brush artifacts, keeping the look clean at typical display sizes.