Script Opdup 13 is a bold, normal width, medium contrast, italic, short x-height font.
Keywords: branding, packaging, posters, headlines, social media, confident, classic, friendly, expressive, romantic, signature feel, display impact, handmade tone, friendly emphasis, brushy, looped, slanted, rounded, monoline-ish.
A slanted, brush-influenced script with rounded terminals and a lively, handwritten rhythm. Strokes show subtle swelling and tapering, with thicker downstrokes and smoother, slightly lighter upstrokes that create an energetic texture in words. Letterforms lean forward with compact counters, occasional looped ascenders/descenders, and a generally tight vertical footprint that keeps lowercase forms feeling compact. Spacing and widths vary naturally across glyphs, reinforcing an informal, penned construction while remaining visually consistent across the set.
This script is well-suited to branding and packaging where a personal, crafted tone is desired, as well as posters and headline-style settings that benefit from bold, dynamic strokes. It can work effectively for short social media graphics, invitations, and quote treatments, especially at medium to larger sizes where the brush texture and loops remain clear.
The font feels personable and confident, combining a classic sign-painting/script sensibility with a casual handwritten ease. Its forward slant and bold, inky presence give it momentum and warmth, suitable for upbeat, inviting messaging without becoming overly ornate.
The design appears intended to deliver a bold, handwritten signature feel with a brush-pen character—expressive enough for display use while staying coherent across longer phrases. It prioritizes momentum, warmth, and a natural handwritten cadence over strict geometric regularity.
Capitals are prominent and gestural, functioning well as entry points for short phrases, while lowercase maintains a smooth baseline flow with intermittent connections and occasional flourish-like joins. Numerals match the cursive tone with rounded shapes and angled stress, making them feel integrated rather than purely utilitarian.