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Free for Commercial Use

Sans Superellipse Manay 5 is a very bold, normal width, monoline, italic, normal x-height font visually similar to 'Artegra Soft' by Artegra, 'Aspira' by Durotype, 'FF Mark' by FontFont, 'Chevin Pro' and 'Chevin Std' by G-Type, 'Midsole' by Grype, 'PF Square Sans Condensed Pro' by Parachute, and 'Rehn Condensed' by moretype (names referenced only for comparison).

Keywords: headlines, branding, packaging, posters, app ui, playful, friendly, retro, sporty, bouncy, attention, approachability, motion, impact, fun, rounded, soft terminals, bulbous, compact, high contrast corners.


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A heavy, rounded sans with a pronounced rightward slant and softly squared, superellipse-like curves. Strokes are consistently thick with rounded terminals and generous corner radii, producing a smooth, cushiony silhouette. Proportions feel compact and slightly top-heavy in places, with simplified joins and minimal internal detailing that keeps counters open despite the weight. The overall rhythm is lively, with subtle, hand-drawn irregularity in angles and a distinctly chunky presence in both letters and numerals.

Best suited for short-to-medium display text where impact and warmth are desired: headlines, logos, product packaging, posters, and promotional graphics. The thick strokes and rounded forms can also work for bold UI labels or signage when a friendly, energetic voice is needed, while extended body text may feel heavy and attention-grabbing.

The font conveys an upbeat, approachable tone with a hint of vintage display energy. Its slanted, buoyant forms read as dynamic and informal, suggesting motion and friendliness rather than precision or restraint.

The design appears intended to deliver a bold, animated voice through rounded-rect geometry and a forward-leaning stance, prioritizing personality and immediacy over neutrality. Its consistent softness and simplified construction suggest an aim for high legibility at display sizes with a distinctive, playful character.

Uppercase shapes lean toward simplified geometry (e.g., rounded-rect C/G and broad-shouldered E/F), while lowercase shows single-storey constructions and playful modulation in curves and joints. Numerals are equally chunky and rounded, matching the letterforms closely and maintaining strong visibility at medium-to-large sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸