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Free for Commercial Use

Sans Superellipse Oglil 9 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Fox Kevin' by Fox7, 'Brampton' by Letterhend, 'Alma Mater' and 'Oscar Bravo' by Studio K, and 'Gringo Sans' by Volcano Type (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, stickers, playful, friendly, retro, chunky, quirky, display impact, friendly branding, retro flavor, soft geometry, bold legibility, rounded, soft, bubbly, compact, high-contrast.


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A very heavy rounded sans with soft, superellipse-like curves and consistently thick strokes. Corners are broadly radiused, terminals are blunt and rounded, and counters tend to be small and pill-shaped, producing a compact, solid texture. The forms lean on rounded-rectangle geometry—seen in the boxy curves of C/G/S and the squared bowls of O/Q—while maintaining clean, monoline construction. Lowercase shows simple, single-storey shapes (a, g) and short, sturdy extenders, and figures are equally bulbous and tightly enclosed for a cohesive set.

Best suited for bold headlines, posters, packaging, and brand marks where a soft, playful presence is desired. It also works well for short UI labels, badges, and social graphics that benefit from high visual impact, but it can feel heavy for long passages at small sizes due to its tight counters and dense color.

The overall tone is upbeat and approachable, with a distinctly retro, cartoonish warmth. Its chunky, rounded construction reads friendly and informal, suggesting fun, comfort, and a bit of cheeky personality rather than restraint or elegance.

The design appears intended to deliver maximum impact with a friendly voice, using rounded-rectangular construction and compact counters to create a distinctive, characterful display texture. It prioritizes bold silhouette and consistency across glyphs for strong branding and attention-grabbing typography.

The dense weight and small apertures make it most effective at larger sizes, where the rounded geometry and distinctive silhouettes are clearest. The repeated use of squared curves and rounded rectangles creates a strong, recognizable rhythm across both text and display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸