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Serif Other Hyma 2 is a regular weight, narrow, high contrast, upright, normal x-height font.

Keywords: posters, book covers, headlines, logotypes, invitations, victorian, gothic, theatrical, whimsical, antique, ornamental display, vintage revival, dramatic contrast, engraved effect, flared serifs, ink traps, cut-in notches, tapered stems, decorative counters.


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A decorative serif with tall proportions, sharp triangular serifs, and pronounced thick–thin modulation. Strokes taper aggressively into points and wedges, with frequent cut-in notches and small teardrop-like details that create an engraved, slightly distressed silhouette. Many letters show asymmetrical shaping and irregular interior cutouts (notably in round forms and numerals), giving the design a crafted, hand-cut feel despite consistent overall rhythm. Curves are tight and pinched, joins can be abrupt, and the texture alternates between solid black masses and crisp hairline transitions for a dramatic page color.

Best suited to display settings such as posters, book and album covers, event branding, and distinctive wordmarks where its sharp serifs and carved details can be appreciated. It can work for short headlines or pull quotes, but the decorative counters and notches are likely to become visually dense in long passages or at small sizes.

The font reads as antique and theatrical, evoking Victorian display typography, vintage posters, and storybook or gothic titling. Its quirky internal cuts and pointed terminals add a mischievous, slightly eerie character that feels ornamental rather than purely formal.

The letterforms appear designed to reinterpret classic serif structures with ornamental, engraved-like cuts and exaggerated tapering, prioritizing character and historical atmosphere over plain readability. The goal seems to be a striking, vintage display face that signals drama and craftsmanship at first glance.

The design’s internal notches and heavy black areas create strong personality but also introduce busy detail, especially in smaller sizes. Capitals present a more stately, poster-like tone, while lowercase retains the same cut-in motif and narrow rhythm, keeping the overall voice consistently decorative.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸