Sans Normal Olrob 6 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, editorial, modernist, playful, stylish, retro, distinctive caps, graphic impact, elegant text, geometric clarity, geometric, rounded, crisp, high-contrast feel, display-friendly.
This typeface combines two distinct voices within a consistent geometric framework: a bold, sculpted uppercase and a very light, monoline lowercase. The capitals are built from broad strokes with rounded outer curves and sharp triangular cuts, producing faceted bowls and wedge-like joins that read cleanly at display sizes. The lowercase and numerals shown in the lighter style rely on near-uniform thin strokes, circular counters, and long, elegant extenders, giving a delicate, airy rhythm. Overall spacing appears open, with simple, single-storey forms (notably a, g) and clear, unadorned terminals.
Best suited to headlines, brand marks, and short editorial callouts where the bold uppercase can provide strong graphic impact and the thin lowercase can add a refined counterpoint. It also fits packaging and poster work that benefits from a modern geometric look with distinctive letterforms.
The contrast between stout, graphic capitals and whisper-thin lowercase creates a fashionable, slightly theatrical tone—confident for headlines but refined in longer phrases. It feels modern and design-forward, with a hint of retro signage energy from the cut-in shapes and rounded geometry.
The design appears intended to deliver a recognizable, geometric sans identity with extra personality: sculpted, cut-in capitals for impact and a minimal, hairline lowercase for elegance. The paired voices suggest an aim toward expressive typography that can shift between bold emphasis and light sophistication within the same layout.
Several glyphs emphasize geometric construction: circular O/Q with a minimal Q tail, angular V/W/X/Y with strong diagonals, and an S that reads as a bold, stylized curve. The numeral set shown mixes very thin lining forms (e.g., 0, 4, 6, 7, 9) with heavier, more graphic figures (e.g., 1–3, 5, 8), reinforcing the font’s two-mode, contrast-in-voice presentation within the same overall design language.