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Free for Commercial Use

Serif Flared Rykag 4 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'FF Tundra' by FontFont, 'Campan' by Hoftype, 'Accia Flare' and 'Accia Piano' by Mint Type, and 'Malik' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, editorial, book covers, branding, confident, traditional, bookish, stately, warm, display impact, classic voice, warmth, editorial clarity, heritage feel, bracketed serifs, flared terminals, teardrop joins, softened corners, large apertures.


Free for commercial use
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A heavy serif with pronounced bracketed serifs and subtly flared stroke endings that give the outlines a carved, slightly calligraphic feel. Strokes are robust with moderate contrast, and many joins and terminals show teardrop-like shaping rather than sharp cuts. The letterforms are roomy and open, with broad curves in C/O and strong, stable verticals; the lowercase shows a compact, readable rhythm with clear counters and sturdy feet. Numerals are similarly weighty and rounded, matching the alphabet’s soft, swelling terminals and assertive texture.

Best suited to headlines and short-to-medium text where a strong serif voice is desired—magazine features, book covers, packaging, and branding that benefits from a traditional yet lively texture. It can also work for pull quotes and section headers where readability and presence need to coexist.

The overall tone is authoritative and classic, with a warm, slightly old-style charm. Its bold presence feels confident and editorial, suggesting heritage, reliability, and a touch of theatricality in display settings.

The font appears designed to deliver a classic serif structure with softened, flared endings for a more human, engraved impression. The aim is a high-impact, readable display serif that preserves traditional proportions while adding warmth through tapered terminals and rounded joins.

The design maintains a consistent, dark color across both uppercase and lowercase, with distinctive terminal shaping that reads clearly at larger sizes. Curved letters and diagonals (like S, V, W, X) retain a substantial, sculpted look that emphasizes impact over delicacy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸