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Sans Normal Togay 4 is a bold, wide, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, magazine, branding, packaging, fashion, editorial, luxury, dramatic, modern, display impact, premium branding, signature texture, editorial voice, high-contrast, incised, sharp, sculpted, crisp.


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This typeface uses heavy verticals paired with razor-thin hairlines, creating a sculpted, high-contrast rhythm across both capitals and lowercase. Curves are broad and rounded but frequently cut with angled, wedge-like joins and triangular notches, giving counters and terminals an incised, carved feel. Uppercase forms are tall and commanding, with compact interior spaces in letters like B, P, and R, while round letters (O, Q, C, G) show dramatic modulation and tapered transitions. The lowercase is sturdy and compact with single-storey a and g, a short, bracket-like shoulder on r, and pointed diagonal strokes on v/w/y that emphasize the chiseled style. Numerals follow the same motif, combining thick stems with fine cuts and sharp entry/exit points for a cohesive, display-forward set.

It is best suited to headlines and short text in editorial layouts, posters, and high-impact marketing where contrast and personality can work at larger sizes. It can also support branding and packaging that wants a modern, upscale feel, particularly when paired with simpler supporting text for readability.

The overall tone is assertive and polished, balancing contemporary boldness with a couture-like, editorial refinement. Its sharp hairlines and carved details add drama and a sense of crafted precision, making the voice feel premium and attention-grabbing rather than casual.

The likely intention is a display face that delivers maximum contrast and presence while maintaining clean, modern construction. The repeated wedge cuts and hairline joins suggest a goal of making a recognizable, signature texture that stands out in titles, logos, and premium editorial typography.

The design’s thin connecting strokes and interior cut-ins become especially noticeable at smaller sizes, where the finer details may visually soften; it reads most clearly when given space and scale. The strongest identifying feature is the consistent use of tapered wedges and notched transitions, which gives even simple shapes a distinctive, engraved character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸