Sans Superellipse Otloh 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Panton' by Fontfabric and 'Neusa Neu' by Inhouse Type (names referenced only for comparison).
Keywords: headlines, logos, posters, branding, signage, tech, industrial, sporty, futuristic, utilitarian, impact, modernity, systematic, legibility, rounded corners, square-leaning, compact, geometric, sturdy.
A heavy, geometric sans with square-leaning, superellipse construction: counters and bowls read as rounded rectangles, and corners are consistently softened rather than truly circular. Strokes are uniform and dense, producing a compact, high-impact texture with restrained apertures and short, squared terminals. Uppercase forms are wide and stable, while lowercase keeps simple, blocky silhouettes (single-storey a and g), and the figures follow the same rounded-rect logic with prominent, squared shoulders and corners.
Best suited to headlines, display typography, and brand marks where a compact, high-density silhouette is an advantage. It also fits signage, product labeling, and interface-style titling where the rounded-rectangle forms read clearly at medium-to-large sizes and convey a contemporary, engineered character.
The overall tone is modern and engineered, with a distinctly technical, industrial feel. Its rounded-rectangle geometry adds a friendly smoothness, but the tight apertures and sturdy weight keep it assertive and performance-oriented, suggesting contemporary tech, transportation, and sport aesthetics.
The font appears designed to deliver a cohesive, modern display voice built from superellipse forms—combining softened corners with firm, squared structure. The intention seems to be strong presence and quick recognition, emphasizing consistency of geometry across uppercase, lowercase, and numerals for system-like branding and bold, technical communication.
The design maintains a very consistent corner radius across letters and numerals, which creates strong visual cohesion in all-caps settings and UI-like labeling. Diagonals (A, V, W, X, Y) are crisp and angular, contrasting with the softened outer corners, and the punctuation shown in the sample (apostrophe, ampersand, question mark) matches the same blunt, squared rhythm.