Sans Superellipse Tebig 1 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Timeout' by DearType, 'Goodrich' by Hendra Pratama, and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, stickers, playful, punchy, retro, handmade, friendly, display impact, retro print, handmade texture, friendly emphasis, rounded, soft corners, inked, blobby, irregular.
A compact, heavy display sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and mostly monoline, but edges show subtle wobble and swelling that reads like inked or stamped letterpress rather than geometric precision. Counters are small and often squarish, with rounded terminals and a slightly uneven silhouette that creates a lively, tactile texture in words. The lowercase is simple and sturdy with single-storey forms, while figures and caps keep a consistent blocky footprint and tight interior space.
Works best for short, high-impact text such as posters, headlines, logos, packaging, and promotional graphics where its chunky forms can stay clear. It also fits playful editorial callouts, kids-focused materials, and retro-inspired merch or signage, especially when you want a bold, tactile look.
The overall tone is cheerful and approachable with a vintage, screenprint/woodtype flavor. Its intentionally imperfect contours add warmth and personality, making the text feel human-made and bold without becoming aggressive. The rhythm is energetic and a bit quirky, suited to expressive, informal communication.
Designed to deliver maximum impact with a friendly, rounded-block structure and a deliberately imperfect finish. The intention appears to be a display face that evokes printed ephemera—stamps, screenprints, or woodtype—while remaining legible and cohesive across caps, lowercase, and numerals.
The font builds strong word shapes at larger sizes, but the dense fill and small apertures suggest careful use at small sizes or on low-contrast backgrounds. Round letters like O and Q lean into a squircle-like geometry, while straight strokes retain a slightly chiseled, organic edge that keeps the texture consistent across the set.