Sans Superellipse Kudi 6 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Geom Graphic' by Dharma Type and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: ui design, app branding, tech packaging, signage, headlines, techy, futuristic, clean, confident, friendly, modernization, tech branding, interface clarity, geometric styling, system coherence, rounded, squared, modular, geometric, monoline.
A geometric sans built from rounded-rectangle forms, with soft corners and largely monoline strokes. Curves resolve into superelliptical bowls and counters, while joins and terminals are clean and simplified, giving the alphabet a modular, engineered feel. Proportions read spacious with generous internal counters, and the overall texture stays even across mixed case; diagonals are crisp but slightly softened by consistent corner rounding. Numerals follow the same squared-round construction, producing a cohesive, contemporary set.
It suits UI labels, dashboards, and product interfaces where a sturdy, high-impact sans remains legible and consistent. The distinctive rounded-square construction also works well for tech branding, packaging, and short headline settings, and can carry wayfinding or signage applications where a clean, contemporary voice is desired.
The font conveys a modern, tech-forward tone with a friendly edge, balancing precision and softness. Its rounded-square geometry feels digital and product-oriented, suggesting interfaces, devices, and contemporary industrial design rather than editorial or classical contexts.
The design appears intended to translate digital, screen-native geometry into a strong display-friendly sans: rounded enough to feel approachable, but structured enough to read as engineered and modern. Its consistent corner logic and squared counters suggest a focus on brand presence and system cohesion across letters and numerals.
Key shapes lean toward squared bowls (notably in round letters and the zero), reinforcing a distinct “rounded box” motif. The lowercase includes single-storey forms (such as a and g), and many letters show subtly squared terminals that keep the rhythm orderly and systematic.