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Serif Flared Tyly 12 is a bold, normal width, low contrast, upright, short x-height font visually similar to 'Halis Rounded' by Ahmet Altun, 'Noah' by Fontfabric, and 'Glorich' by Sarid Ezra (names referenced only for comparison).

Keywords: headlines, posters, book covers, packaging, branding, old-style, storybook, rustic, witty, craft, display impact, vintage flavor, handcrafted feel, warmth, distinctiveness, flared, wedge-serif, ink-trap-like, rounded, hefty.


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A heavy serif with distinctly flared terminals that taper into wedge-like serifs, giving strokes a carved, brush-cut feel rather than crisp, sharp slabs. Counters are compact and generally rounded, with sturdy verticals and subtly swelling joins that create a lively, uneven rhythm across words. The lowercase is small relative to the capitals, with short ascenders/descenders and simplified, weighty forms; punctuation-like details (e.g., dots) appear prominent. Overall spacing reads slightly tight and the texture is dark, with letterforms that feel intentionally irregular in their flare and terminal shaping.

Best suited to display sizes where the flared terminals and compact counters can read as intentional texture—headlines, posters, book covers, labels, and branding that wants a handcrafted or vintage voice. It can work for short text accents or pull quotes, but its dense color and idiosyncratic terminals are most effective in larger, attention-getting applications.

The font projects an old-time, hand-wrought warmth—part vintage print, part folk craft—while staying legible and confident. Its chunky silhouettes and flared endings add a playful, slightly theatrical tone that can feel whimsical or rustic depending on context.

The design appears aimed at combining classical serif familiarity with a more hand-rendered, carved quality through flared stroke endings and sturdy proportions. It prioritizes personality and strong word-shape impact, suggesting use in expressive display typography rather than neutral, long-form reading.

Capitals are broad and emphatic, with strong presence in display settings; the numerals share the same chunky build and flared finishing, maintaining a cohesive, traditional tone. The design’s character comes largely from its terminal treatment and swelling strokes, which create distinctive word shapes and a textured page color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸