Sans Other Ebju 2 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Jonah' by Canada Type, 'Dimensions' by Dharma Type, 'Metro Block' by Ghozai Studio, 'Bullhorn' by Illuminaut Designs, 'MC Borque' and 'MC Stone Skin' by Maulana Creative, 'Blackbarry NF' by Nick's Fonts, and 'Ravenda' by Typehand Studio (names referenced only for comparison).
Keywords: posters, headlines, logos, album covers, game titles, industrial, brutalist, techno, aggressive, dystopian, impact, edginess, futurism, stencil effect, distortion, condensed, blocky, rectilinear, stenciled, glitchy.
A condensed, rectilinear display sans built from heavy vertical stems and squared-off counters, with corners that feel cut rather than drawn. Many glyphs incorporate sharp notches, slanted “chisel” breaks, and thin internal slits that read like stencil bridges or intentional fractures, giving the letterforms a segmented, engineered construction. Curves are minimized into faceted geometry, and diagonals appear as abrupt wedges; spacing is tight and the dark mass is dominant, creating a dense, high-impact texture in lines of text.
Best suited to short, high-contrast applications where its heavy mass and fractured details can read clearly—such as posters, headlines, logos, title cards, and entertainment packaging. It can work as a secondary accent in UI or signage-inspired layouts when set large and with generous line spacing.
The overall tone is harsh and mechanical, evoking industrial signage and techno/arcade aesthetics with a slightly distressed, hacked-in feel. The repeated cuts and seams add tension and movement, pushing the voice toward dystopian, weaponized, or cyberpunk branding rather than neutral utility.
The design appears intended to deliver maximum visual impact through condensed proportions, monolithic strokes, and deliberate cut lines that suggest stencil engineering and digital distortion. It prioritizes a strong graphic silhouette and a rugged, machine-made texture over smooth readability in long passages.
The font’s internal cuts and extremely small apertures can close up quickly at smaller sizes or on lower-resolution output, while large sizes preserve the distinctive fractured detailing. Figures and capitals share the same monolithic, modular construction, reinforcing a consistent, poster-forward color.