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Free for Commercial Use

Sans Normal Tadol 18 is a regular weight, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, magazines, branding, posters, packaging, editorial, fashion, elegant, dramatic, modern, luxury display, editorial impact, brand distinction, graphic drama, modern elegance, high-contrast, hairline, crisp, sculptural, refined.


Free for commercial use
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This typeface uses extreme stroke-contrast with hairline joins and thick verticals, producing a crisp black-and-white rhythm. Curves are clean and circular, while terminals frequently taper to needle-fine points that create sharp, graphic accents. Proportions feel contemporary and display-oriented, with several letters showing stylized cut-ins and asymmetric shaping that add motion to otherwise upright forms. The lowercase mixes straightforward, open constructions with occasional calligraphic-like flicks and delicate entry/exit strokes, keeping the texture lively at large sizes.

Best suited to large-scale typography such as headlines, magazine covers, fashion and culture editorials, and high-end brand identities. It can add a premium feel to packaging, lookbooks, and event posters where contrast and sharp detailing are assets. Use sparingly for longer text, reserving it for display roles where its thin strokes can remain clear.

The overall tone is polished and theatrical—more runway editorial than everyday utility. Its stark contrast and razor-thin details convey luxury, sophistication, and a slightly experimental edge. The voice feels modern and confident, with just enough eccentricity to read as bespoke.

The design appears intended to deliver a striking, high-fashion display voice by pushing contrast and tapering to create memorable silhouettes. By combining clean round geometry with occasional sharp incisions and delicate strokes, it aims to stand out in branding and editorial settings while maintaining a controlled, contemporary structure.

The hairline elements and very thin cross-strokes suggest it will look best where rendering is clean and sizes are generous, as fine details can visually disappear in smaller settings. The figures and caps carry the most drama, while the lowercase introduces softer, more lyrical moments that can create distinctive word shapes in headings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸