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Free for Commercial Use

Blackletter Yevy 2 is a very bold, wide, high contrast, italic, tall x-height font visually similar to 'Whisky Italics' by Corradine Fonts (names referenced only for comparison).

Keywords: posters, headlines, album covers, brand marks, packaging, playful, rowdy, retro, whimsical, theatrical, attention grabbing, ornamental texture, hand-cut feel, expressive display, wavy baseline, flared strokes, chiseled, irregular rhythm, compact counters.


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A heavy, display-oriented blackletter with hand-drawn irregularity and a pronounced rightward slant. Letterforms are built from chunky, chiseled strokes with sharp joins and occasional flared terminals, producing a carved, poster-like silhouette. The rhythm is intentionally uneven—stems swell and taper, counters pinch, and widths vary noticeably from glyph to glyph—yet the set holds together through consistent weight and angular construction. Uppercase forms feel blocky and emblematic, while lowercase retains dense, sculpted shapes with simplified blackletter structure for impact at large sizes.

Best suited to large-format display work such as posters, event titles, album artwork, packaging fronts, and punchy brand marks. It also works well for short, high-impact phrases where texture and attitude matter more than small-size readability.

The overall tone is boisterous and theatrical, blending medieval blackletter cues with a lively, cartoonish swagger. Its wavy movement and punchy massing read as energetic and attention-grabbing rather than formal or liturgical, suggesting a spirited, slightly rebellious mood.

The design appears intended to reinterpret blackletter through a bold, hand-cut, playful lens—prioritizing dramatic silhouettes, motion, and personality over strict historical precision. It aims to deliver instant visual presence and a distinctive, ornamental texture for expressive display settings.

In text, the strong slant and variable widths create a rolling, undulating line with prominent word-shape variation. The dense interiors and tight apertures can close up as sizes drop, so it visually prefers generous sizing and simpler layouts where its silhouette can dominate.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸