Outline Lyla 6 is a regular weight, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, sports branding, retro, playful, bold, graphic, sporty, display impact, retro styling, sport branding, graphic clarity, outline emphasis, double-line, inline, monoline, rounded corners, geometric.
A geometric, all-caps-forward outline design built from a consistent double-line construction: an outer contour with a parallel inner outline that creates an inline, hollowed effect. Strokes are monoline in feel with low contrast and mostly squared geometry softened by rounded corners, producing clean arcs in C/O/Q and firm, flat terminals in E/F/T. Widths run generous overall, with sturdy counters and ample interior spacing that keep the outlines legible at display sizes. Lowercase mirrors the same blocky, single-storey forms, and figures follow the same outlined, slightly rounded, athletic silhouette.
Best suited to headlines and short display settings where the outline effect can read clearly—posters, signage, packaging, and logo marks. It can also work for sporty or retro-themed branding and titles; for longer text, larger sizes and generous spacing help preserve the interior detail of the outlines.
The double-outline skeleton gives the face a lively, poster-like energy that reads as retro and sporty at once. Its crisp geometry and uniform linework feel friendly and graphic rather than formal, evoking signage, team lettering, and mid-century display styling.
The design appears intended to deliver maximum impact through a clean, uniform outline system that feels energetic and contemporary-retro. Its wide proportions and consistent inline spacing suggest a focus on bold display applications where a hollow, graphic look adds personality without relying on heavy fills.
Inner contours track the outer shape closely, creating a consistent “tube” rhythm across the alphabet; this is especially prominent in curved letters and in the stepped geometry of diagonals like K, M, N, V, W, X, and Y. Because the design is purely outlined, the perceived color depends strongly on size, background, and stroke thickness in reproduction.