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Free for Commercial Use

Cursive Ninin 1 is a regular weight, very narrow, low contrast, italic, very short x-height font.

Keywords: greeting cards, invitations, social posts, packaging, craft branding, friendly, casual, playful, handmade, approachable, personal tone, everyday cursive, warm branding, quick legibility, handwritten texture, monoline, rounded, loopy, bouncy, informal.


Free for commercial use
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A lively handwritten script with smooth, rounded strokes and a gently right-leaning slant. Letterforms are built from monoline-like lines with soft terminals and frequent looped constructions, creating a continuous pen-drawn rhythm even where characters remain partially separated. Proportions are tall and compact, with small lowercase bodies relative to prominent ascenders and descenders, and overall spacing that feels airy yet controlled. Capitals are simplified and slightly flourished, pairing clean verticals with occasional swashes and open bowls for quick readability.

Works well for short to medium display copy where a personal, handwritten voice is desired—cards, invitations, quotes, social graphics, labels, and small-business branding. It can also support headings or pull quotes in lifestyle contexts, especially when paired with a simple sans or serif for body text.

The font conveys an easygoing, personal tone—like neat marker or pen notes written with confidence. Its looping joins and buoyant movement feel warm and conversational, making it more personable than formal. The overall impression is upbeat and uncomplicated, suited to messaging that aims to feel human and approachable.

Designed to capture a natural, everyday cursive note style with clean construction and a consistent stroke, prioritizing warmth and quick legibility. The compact lowercase and tall extenders emphasize a brisk, expressive cadence while keeping the overall look tidy and versatile for casual branding and display use.

Distinctive loops appear in several ascenders and descenders, and the digit set follows the same hand-drawn logic with rounded, open shapes. Stroke endings tend to taper subtly rather than ending in hard cuts, reinforcing the written feel. The sample text shows consistent texture across long lines, with enough irregularity to read as genuine handwriting without becoming messy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸