Print Wamev 6 is a light, narrow, medium contrast, upright, normal x-height font.
Keywords: posters, packaging, book covers, social graphics, headlines, quirky, casual, playful, crafty, retro, handmade texture, casual display, quirky voice, crafted signage, monoline, angular, boxy, irregular, rounded corners.
A hand-drawn, monoline style with lightly uneven stroke edges and subtly wobbly verticals that preserve an upright stance. Letterforms lean toward angular, boxy construction with rounded corners, producing squarish counters in many glyphs and a distinctly built-up, marker-like rhythm. Proportions are compact and somewhat condensed, with simple, unconnected forms and occasional asymmetries that reinforce the handmade look. Numerals match the alphabet’s improvised geometry, using open, single-stroke ideas and slightly inconsistent widths for a casual, sketchbook consistency.
Best suited to display uses where a handmade, informal voice is desirable—posters, covers, packaging accents, and social or editorial graphics. It can work for short captions and pull quotes when you want visible hand-drawn texture, but it’s most effective at larger sizes where the squarish construction and subtle wobble can be appreciated.
The overall tone feels informal and personable, with a quirky, handmade charm that reads as friendly rather than polished. Its slightly stiff, squared shapes add a retro craft sensibility, like hand-lettered signs or doodled captions. The unevenness gives it energy and approachability, keeping the texture lively in short bursts of text.
The design appears intended to mimic quick, intentional hand lettering: simple printed forms with a constructed, boxy geometry and just enough irregularity to signal authenticity. It prioritizes personality and a drawn-by-hand texture over strict uniformity, aiming for a distinctive, approachable display voice.
Corners and joins often appear softly blunted, as if drawn with a felt-tip or a steady pen under light pressure. Spacing looks naturally irregular, which adds character but becomes more noticeable in longer lines, making the texture part of the aesthetic.