Sans Other Lobak 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Neuron Angled' by Corradine Fonts, 'ITC Officina Display' by ITC, 'Los Lana Niu' by Latinotype, and 'Obvia Narrow' by Typefolio (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, event flyers, playful, hand-cut, folksy, quirky, posterlike, handmade texture, display impact, informal branding, craft aesthetic, chunky, angular, irregular, choppy, inked.
A chunky sans with hand-cut, slightly uneven outlines and faceted corners that create a chiseled silhouette. Strokes are heavy and mostly monoline, but edges wobble subtly and terminals often end in blunt, angled cuts rather than smooth curves. Counters are compact and somewhat asymmetric, with a generally narrow internal spacing that adds density. The rhythm is lively and variable, with small inconsistencies in widths and curves that read as intentionally handmade rather than mechanically geometric.
Best suited to display contexts such as posters, headlines, packaging, and short callouts where the rugged contours can provide personality and impact. It works well for playful branding, craft-themed projects, and bold typographic graphics, especially when set with generous tracking or ample line spacing.
The overall tone is informal and spirited, with a cut-paper or block-printed feel that suggests craft, DIY signage, and playful display work. Its angular nicks and bouncy shapes give it a mischievous, slightly retro character without leaning into strict historical revival cues.
The design appears intended to deliver a strong, high-impact sans voice with a handcrafted edge, prioritizing character and texture over neutral regularity. Its faceted curves and uneven cuts are used consistently to create a distinctive, approachable display style.
In text, the strong black color and tight counters make it most comfortable at larger sizes, where the irregularities read as texture rather than noise. Round letters like O/Q and curved lowercase forms show deliberate faceting, reinforcing the font’s carved/trimmed aesthetic.