Sans Superellipse Gyrij 9 is a bold, wide, low contrast, upright, normal x-height font.
Keywords: headlines, branding, packaging, posters, ui display, techy, friendly, futuristic, playful, confident, modernize, soften geometry, maximize impact, systematic feel, geometric, squared-round, rounded corners, monoline, compact counters.
A heavy, monoline sans with a pronounced rounded-rectangle (superellipse) construction. Curves transition into flats with soft corners, producing boxy-round bowls in C, O, and Q and squared terminals across many strokes. Proportions feel expanded and stable, with generous widths in the caps and a sturdy, even rhythm in text. Openings and counters are kept relatively compact for the weight, and joins are clean and minimally modulated, emphasizing a crisp, engineered silhouette.
Best suited for display sizes where its chunky superelliptical forms and compact counters stay clear and distinctive. It works well for contemporary branding, packaging, posters, and UI/display typography where a bold, geometric voice is desired. In longer passages it can function as short copy or captions, but the dense interiors suggest giving it ample size and spacing.
The overall tone is modern and approachable, combining a tech-forward geometry with a friendly softness from the rounded corners. It reads as confident and energetic, leaning toward a contemporary, slightly game/UI-coded personality rather than a traditional editorial feel.
The design appears intended to deliver a modern geometric sans that feels both technical and approachable by blending squared construction with rounded corners. Its consistent stroke weight and clean terminals prioritize clarity and impact, aiming for a strong, contemporary presence across branding and screen-forward applications.
Round letters tend to look more like rounded squares than circles, and several forms emphasize straight-sided geometry (notably in bowls and shoulders). Numerals match the same squared-round logic, giving the set a cohesive, system-like feel in interface contexts.