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Free for Commercial Use

Sans Superellipse Omgan 1 is a bold, narrow, monoline, upright, normal x-height font.

Keywords: posters, headlines, branding, packaging, signage, retro, industrial, techy, space saving, high impact, signage clarity, geometric style, condensed, rounded, rectilinear, sturdy, compact.


Free for commercial use
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A condensed sans built from rounded-rectangle geometry, with flat terminals and consistently thick strokes. Curves resolve into squarish bowls and counters, giving letters like O, C, and G a superelliptical feel rather than true circles. The rhythm is tall and compact, with tight internal spaces and a uniform stroke that keeps forms crisp at display sizes. Distinctive constructions include an arched, two-stem lowercase m/n, a single-storey a, and a low-contrast, squared-off lowercase g that matches the overall rectilinear softness.

Works best for headlines, posters, labels, and signage where a compact, high-impact texture is desirable. The tall, condensed forms are useful when horizontal space is limited, making it well-suited to packaging panels, UI titles, and brand wordmarks that need a strong, structured presence.

The overall tone feels utilitarian and forward-leaning, mixing mid‑century modern and digital-era cues. Its softened corners keep it approachable, while the condensed proportions and squared curves read as engineered and efficient. The result is a bold, no-nonsense voice suited to attention-grabbing messages.

The design appears intended to deliver a compact display sans with a distinctive rounded-rectilinear skeleton—combining the efficiency of condensed signage lettering with a softened, modernized edge. It prioritizes consistency of stroke and silhouette to create a strong, repeatable texture across caps, lowercase, and numerals.

The numerals follow the same rounded-rectangle logic, with compact shapes and open, simplified joins that emphasize clarity over finesse. Uppercase forms appear highly uniform in width and silhouette, creating a consistent, poster-like texture across words. The typeface’s tight counters and condensed build suggest it benefits from adequate tracking when set in longer lines.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸