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Free for Commercial Use

Sans Normal Afleg 15 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Malva' by Harbor Type, 'Qubo' by Hoftype, 'Camphor' by Monotype, 'Clear Sans Screen' and 'Clear Sans Text' by Positype, 'Kongress' by Tipo Pèpel, and 'Blacker Sans Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, sports identity, packaging, dynamic, sporty, confident, modern, energetic, emphasis, momentum, modern utility, impact, oblique, geometric, rounded, clean, high impact.


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A slanted, monoline sans with broad, rounded curves and compact apertures that keep the color dense and even. Strokes stay consistent in weight across joins and curves, with smooth, circular bowls in letters like O, C, and G and straightforward, angled terminals that reinforce the forward-leaning rhythm. Uppercase forms are sturdy and simplified, while lowercase keeps a utilitarian structure with a two-storey g and a compact, single-storey a; counters are relatively tight, giving the design a punchy, high-ink presence. Numerals follow the same solid, rounded construction, with clear silhouettes and minimal internal contrast.

Best suited to display roles where impact and motion matter—headlines, posters, brand marks, and promotional graphics. The dense texture and consistent slant also work well for short callouts, labels, and packaging where a modern, energetic voice is desired.

The overall tone is assertive and fast-moving, with an athletic, contemporary feel driven by the oblique stance and dense letterforms. It reads as practical and no-nonsense rather than delicate, projecting confidence and momentum in headlines and short bursts of text.

Designed to deliver a strong, contemporary sans voice with built-in motion, combining geometric roundness with a consistent oblique angle for emphasis and speed. The intent appears focused on high-impact communication with clean, simplified forms that stay visually stable at larger sizes.

The italic angle is consistent across cases and figures, creating a cohesive, forward cadence in lines of text. Curves remain smooth and controlled, and the design avoids ornamental quirks, relying instead on mass, slant, and rounded geometry for character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸