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Free for Commercial Use

Sans Superellipse Gedat 1 is a very bold, narrow, medium contrast, italic, normal x-height font visually similar to 'Freigeist' and 'Neue Rational Condensed' by René Bieder (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logos, sporty, urgent, punchy, retro, energetic, impact, motion, display, brand voice, compactness, slanted, compact, rounded, sturdy, high-impact.


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A compact, heavy italic sans with rounded, superellipse-like bowls and softened corners throughout. Strokes are thick and steady, with subtle modulation and frequent diagonal terminals that reinforce the forward slant. Counters are relatively tight, apertures are small, and the overall rhythm is condensed with strong, blocky silhouettes. Numerals and capitals read as solid, display-oriented forms, while the lowercase keeps a sturdy, slightly calligraphic feel through angled joins and simplified shapes.

Best suited for headlines, posters, and short punchy copy where the weight and slant can do the work of grabbing attention. It fits sports and performance-oriented branding, energetic packaging, event graphics, and bold logo wordmarks. For longer text, it will typically perform better in brief bursts or large-size applications due to its dense counters and strong presence.

The design projects speed and impact, with a forward-leaning stance that feels athletic and assertive. Its rounded geometry adds friendliness, but the dense weight and tight spacing push the tone toward bold, attention-grabbing messaging. Overall it suggests motion, urgency, and a slightly retro headline flavor.

The font appears designed to deliver a fast, compact headline voice by combining a strong italic stance with rounded, geometric construction. It prioritizes high visual impact and clear silhouette recognition over airy readability, aiming for branding and display scenarios where momentum and confidence are key.

Round letters like O/Q and 0 lean toward vertically oriented ovals with smooth, rounded-rectangle construction, and several glyphs show crisp wedge-like cuts at stroke ends. The italic angle is consistent across cases and numerals, helping lines of text hold a strong directional flow at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸