Sans Superellipse Voha 4 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, interfaces, branding, signage, futuristic, technical, sleek, minimal, space-age, modernization, tech aesthetic, clarity, distinctiveness, systematic design, rounded, geometric, extended, open, modular.
A geometric sans built from straight strokes and rounded-rectangle curves, with a consistent monoline weight and softened corners. Counters tend toward squarish superellipse shapes, giving O-forms a compact, capsule-like feel and helping round letters stay visually stable. Many joins favor clean, engineered angles rather than traditional bracketing, and several diagonals (notably in A, K, N, V, W, X, Y) read as crisp, linear cuts. The proportions are horizontally expansive, with generous interior space and a measured rhythm that keeps strokes from crowding even in tighter pairings.
This font is well suited to headlines, posters, and short bursts of copy where its wide geometry and rounded-rect forms can define a strong visual identity. It also fits UI labels, dashboards, and signage where clean strokes and open counters support quick recognition at medium sizes. For long passages, it works best with ample line length management and generous leading to complement its expansive rhythm.
The overall tone is contemporary and tech-forward, with a controlled, instrument-panel neatness. Its rounded geometry softens the austerity, keeping the voice approachable while still feeling synthetic and futuristic. The wide stance and open shapes suggest sci‑fi interfaces, mobility branding, and modern industrial design.
The design appears intended to deliver a streamlined, futuristic sans with a consistent rounded-rect construction, balancing technical precision with softened corners for friendliness. Its proportions and modular detailing aim to create an instantly recognizable, contemporary voice for digital and product-forward contexts.
Rounded terminals and rectangular bowls create a strong system-like consistency across letters and numerals, while select glyphs introduce distinctive angular gestures (e.g., the pointed A and sharp diagonals). The digit set follows the same capsule-and-bar logic, producing clear, display-oriented figures. In text, the design maintains a steady baseline and clear separation between characters, though the extended width gives paragraphs a spacious, airy color.