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Free for Commercial Use

Slab Square Tohi 7 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Berthold Corporate E' by Berthold, 'Codename FX' by Differentialtype, 'Hefring Slab' by Inhouse Type, 'Fenomen Slab' by Signature Type Foundry, and 'Corporate E' and 'Corporate E WGL' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, logotypes, athletic, retro, assertive, editorial, energetic, impact, momentum, ruggedness, headline clarity, slab serif, bracketless, oblique, blocky, compact.


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A heavy, right-leaning slab serif with broad, square-ended serifs and sturdy, largely monoline strokes. The forms are compact and tightly fit, with pronounced, blocky terminals and minimal curvature at joins, giving the letters a firm, cut-from-solid feel. Counters are relatively small for the weight, and the italics are built as true oblique-like drawings with consistent thickness rather than calligraphic modulation. Numerals and capitals read with strong vertical mass and clear, squared-off serif anchors.

Best suited for display typography where impact is the priority: headlines, posters, sports and team-style branding, and bold packaging callouts. It can also work for short editorial subheads or pull quotes where a condensed, energetic slab presence is desired, while extended small-size text may feel dense due to the heavy stroke weight and compact counters.

The overall tone is bold and emphatic, with a vintage, poster-like confidence. Its slanted stance adds speed and forward motion, suggesting sports branding, headlines, and punchy promotional copy. The sturdy slabs and dense texture convey toughness and reliability rather than delicacy.

This design appears intended to deliver a forceful, forward-leaning slab serif voice that reads quickly and commands attention. The square slab terminals and consistent stroke weight prioritize solidity and clarity, while the italic posture injects motion for branding and promotional contexts.

In the text sample, the dark color and tight internal spaces create a high-impact, ink-rich rhythm that holds together well in short lines and display settings. The italic angle is consistent across capitals, lowercase, and figures, reinforcing a cohesive, energetic voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸